Genie, Make A Wish Episode 10 Recap: Iblis Faces His Lost Love

In Genie, Make A Wish Episode 10, takes a dramatic turn. Everything begins to fall apart for Bu Yeong. She loses her job at the bank and even her money.

Her jealousy toward Ka Young becomes her downfall. Ka Young, once the bank’s most valued client, pulls her account away. That one move changes everything for Bu Yeong.

Bu Yeong’s downfall is a classic example of a self-fulfilling prophecy. Her jealousy didn’t just cause a rift; it actively destroyed the very foundation of her stability (her job and income).

This serves as a powerful, real-world reminder of how toxic emotions can lead to tangible collapse, making her story a cautionary tale within the fantasy drama.

Meanwhile, Da Jin and Yeong Hyeon argue over how to use their two wishes. She wants to save her father from cancer. He believes money can cure it. But she insists it’s a terminal illness. Their conflict shows how love and survival don’t always walk the same path.

Khalid remembers his past again. Back then, he felt powerful. He could move freely, just like Iblis. He also met Shaytan, a being he found strangely beautiful. But Shadi’s pain for his son pulls the story in another direction. His son’s suffering becomes the heart of his every move.

Iblis and Ka Young’s tangled memories

Iblis begins to recall his connection with Ka Young. He tells Ejieal that he once loved her deeply. Ejieal grows angry. He can’t understand why Iblis cares for a human. Ejieal points at Shadi’s pain as an example. He reminds him how human ties only bring suffering.

Ejieal also warns Irem. He says Khalid will soon use his father to make the whole world sleep. When that day comes, she must be ready to act. The story grows heavier with this warning. It suggests a war between the divine and the human may soon rise again.

Iblis later meets Ka Young. She wants to know the truth behind their shared memories. Her anger rises when she reads the old writing. She thinks he wrote about his love for Jinniya, not her. But Iblis explains that the words “Returned from Goryeo and weaving” point to Ka Young’s own past self.

Ka Young then writes Khalid’s name in red ink. She believes it brings bad luck. Iblis warns her. If Khalid ever traps him and tries to harm her, she must use her last wish to save herself. That one line feels heavy and real. It shows Iblis fears what is coming next.

Da Jin also reaches her breaking point. She asks for a divorce. Da Jin doesn’t want love anymore. She just wants one wish as alimony. Yeong Hyeon only cares about the wishes, not the marriage. Their story turns cold and distant.

Min Ji starts to piece the truth together. She finds out that Young Mi-ju is Ka Young’s grandmother. And Iblis isn’t human. He’s the one who grants wishes. This moment clears the mystery that’s been building for episodes.

Ka Young, her grandmother, and the truth in Dubai

Ka Young wants to spend time with her grandmother. She dreams of small, happy memories with her. But her grandmother avoids shopping, saying she will wait until the next flower blooms. That’s around February. Pan Geum only wants Ka Young to remember her as a beautiful woman.

Their moments together are sweet and peaceful. But peace never lasts long in this story. Ka Young flies to Dubai. She rubs the jar, hoping Jinniya will appear.

Nothing happens. Soon, she notices men following her. They work for Khalid. Fear hits her fast. She runs, but they corner her. Jinniya arrives just in time, surrounded by glowing blue butterflies.

Ka Young questions her about the past. Jinniya reveals a painful truth. Because of Iblis, a war once broke out. Only a few survived. The city was destroyed because of Ka Young. It became known as the Wrath of Iblis.

The term “Wrath of Iblis” evokes powerful imagery from Islamic lore, where Iblis is a figure similar to the devil. By tying the destruction of a city to Ka Young’s past actions, the show elevates the stakes from personal drama to a cosmic-scale tragedy.

This isn’t just a past life; it’s a past life that literally reshaped the world, adding immense weight to Ka Young’s current identity crisis.

Jinniya says Ka Young’s death by Muttalib balanced everything. She dances with joy as she tells her story. But she also says she isn’t the “Habiti” Iblis once loved. Ka Young begins to doubt who she really is to him. She wonders if she was ever his true love or just part of his past.

Da Jin deletes their YouTube channel. She demands her one wish. Yeong Hyeon secretly uses his second wish. He wishes Da Jin would forget everything he ever said about wishes. Their bond ends in silence.

Meanwhile, Iblis reaches Dubai and hugs Ka Young tightly. For a brief moment, he sees flashes from the past. He sees Ka Young’s old self talking about leaving. She tells Muttalib that once he uses his final wish, no one will ever control Iblis again.

He also sees Khalid holding a burning stick and gold falling from the sky. Then a sword. When Iblis returns to the present, he tells Ka Young there’s a chance they may never return to Goryeo again. It’s a quiet but sad truth.

Calm Before the Final Storm

Their next date happens in the desert. It rains suddenly because of Jinniya. They laugh, then continue their date in the sand. Ka Young teaches Iblis how to waltz again, just like old times. It’s one of the rare soft scenes in the episode.

Back home, Granny Soeon notices something strange. Pan Geum didn’t show up for her husband’s death anniversary. She watches Mi-ju cook and sees the same mole and habits as Pan Geum. The realization hits her—Mi-ju is Pan Geum. The tension grows, and the family truth starts to unfold.

This chaos reaches Khalid, too. He learns that the woman Ka Young loves so much is actually her grandmother. That revelation sets up what feels like the beginning of the end.

This episode acts as the calm before the storm. Every secret is now out in the open: Mi-ju’s identity, Iblis’s nature, and the true history of the “Wrath of Iblis.”

Khalid, knowing that Mi-ju is Ka Young’s grandmother, is a Chekhov’s gun; we can expect him to use this knowledge as a weapon. The central question is no longer what happened in the past, but how the characters will choose to break the cycle in the present

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